Xero was a key building block in the creation of comics fandom. Produced by Dick and Pat Lupoff with Bhob Stewart (uncredited), it was a widely circulated science fiction fanzine that began to examine comic books thru the pivotal series “All In Color For A Dime.”  Those articles help focus the attention of would be comic fans in comic books, and the entire series was later reprinted in book form. Xero went on to win a Hugo, and some of the articles were reprinted many years later in a hardback book. In Flyer #5, the supplement to Xero, Dick Lupoff mentioned that the circulation of the zine was 160 copies. No copies were for sale, and no subscriptions were ever accepted. It was only available by direct mailing with recipients getting one free first time copy, and you only got subsequent issues by trading your zine for it, or writing letters of comment (long letters, not just post cards and thank you notes), or writing articles for the publication. [Aaron Caplan]

Xero was a key building block in the creation of comics fandom. Produced by Dick and Pat Lupoff with Bhob Stewart (uncredited), it was a widely circulated science fiction fanzine that began to examine comic books thru the pivotal series “All In Color For A Dime.”  Those articles help focus the attention of would be comic fans in comic books, and the entire series was later reprinted in book form. Xero went on to win a Hugo, and some of the articles were reprinted many years later in a hardback book. In Flyer #5, the supplement to Xero, Dick Lupoff mentioned that the circulation of the zine was 160 copies. No copies were for sale, and no subscriptions were ever accepted. It was only available by direct mailing with recipients getting one free first time copy, and you only got subsequent issues by trading your zine for it, or writing letters of comment (long letters, not just post cards and thank you notes), or writing articles for the publication. [Aaron Caplan]

This issue printed flip-style with starting points from each cover.

Xero was a key building block in the creation of comics fandom. Produced by Dick and Pat Lupoff with Bhob Stewart (uncredited), it was a widely circulated science fiction fanzine that began to examine comic books thru the pivotal series “All In Color For A Dime.”  Those articles help focus the attention of would be comic fans in comic books, and the entire series was later reprinted in book form. Xero went on to win a Hugo, and some of the articles were reprinted many years later in a hardback book. In Flyer #5, the supplement to Xero, Dick Lupoff mentioned that the circulation of the zine was 160 copies. No copies were for sale, and no subscriptions were ever accepted. It was only available by direct mailing with recipients getting one free first time copy, and you only got subsequent issues by trading your zine for it, or writing letters of comment (long letters, not just post cards and thank you notes), or writing articles for the publication. [Aaron Caplan]

Xero was a key building block in the creation of comics fandom. Produced by Dick and Pat Lupoff with Bhob Stewart (uncredited), it was a widely circulated science fiction fanzine that began to examine comic books thru the pivotal series “All In Color For A Dime.”  Those articles help focus the attention of would be comic fans in comic books, and the entire series was later reprinted in book form. Xero went on to win a Hugo, and some of the articles were reprinted many years later in a hardback book. In Flyer #5, the supplement to Xero, Dick Lupoff mentioned that the circulation of the zine was 160 copies. No copies were for sale, and no subscriptions were ever accepted. It was only available by direct mailing with recipients getting one free first time copy, and you only got subsequent issues by trading your zine for it, or writing letters of comment (long letters, not just post cards and thank you notes), or writing articles for the publication. [Aaron Caplan]

Xero was a key building block in the creation of comics fandom. Produced by Dick and Pat Lupoff with Bhob Stewart (uncredited), it was a widely circulated science fiction fanzine that began to examine comic books thru the pivotal series “All In Color For A Dime.”  Those articles help focus the attention of would be comic fans in comic books, and the entire series was later reprinted in book form. Xero went on to win a Hugo, and some of the articles were reprinted many years later in a hardback book. In Flyer #5, the supplement to Xero, Dick Lupoff mentioned that the circulation of the zine was 160 copies. No copies were for sale, and no subscriptions were ever accepted. It was only available by direct mailing with recipients getting one free first time copy, and you only got subsequent issues by trading your zine for it, or writing letters of comment (long letters, not just post cards and thank you notes), or writing articles for the publication. [Aaron Caplan]

Science fiction fanzine. Art by DEA (Margaret Dominick), George Barr, Dan Adkins, ATom (Arthur Thomson), Robert E. Gilbert and others.

Mimeo printed.

Sci-fi humor by Doug Freeman.

Saddle-stitched, full-color cover on card stock, some interior color.

Sci-fi humor by Doug Freeman.

Saddle-stitched, full-color cover on card stock, some interior color.

Slice-of-life and science fiction work by Doug Freeman.

Saddle-stitched, full-color cover, some interior color, printed on card stock.

Science fiction comics and art by Doug Freeman.

Saddle-stitched, full-color cover, some interior color, printed on card stock.

Science fiction comics and art by Doug Freeman.

Saddle-stitched, full-color cover, some interior color, printed on card stock.

Full-color sci-fi strip by Doug Freeman.

Saddle-stitched, full-color throughout, printed on card stock.

Sci-fi humor by Doug Freeman.

Saddle-stitched, full-color cover on card stock, b&w interiors.

Sci-fi humor by Eric Goodell and Doug Freeman, plus a two-page story about meeting Martin Luther King, Sr.

Saddle-stitched, full-color cover on card stock, b&w interiors.