Writers / Artists: Johnny Craig

Edited by Ron Barlow. Design and layout by Barlow, and Leslie Cabarga. Features profiles of EC staff, article titled “EC on Film” by Bhob Stewart, and black-&-white reprints of classic EC stories by Joe Orlando, Graham Ingels, Al Williamson, Wally Wood, Reed Crandall, Frank Frazetta, and George Evans.

Front and back covers by Johnny Craig.
Editorial features include:
“BLAST FROM THE READERS,” featuring a letter from Al Kracalik about OUTRE and SPA FON #1. John Fantucchio’s cover for RBCC #61 printed in black-&-white. “Johnny Craig Tribute” by James Van Hise. “The Ghoulanatic Paintings” by “Crumblin’ Charlie.” “George Evans Tribute” by JVH. “Why Do We Collect Comics?” by JVH. “Prince Valiant in the Days of Hal Foster” by JVH. “An Interview with Hal Foster” reprinted from COLLAGE #10. “Comic Artists in the Pulps” featuring Alex Raymond, Al Williamson, and Roy Krenkel. “League of Masks,” fiction by JVH. “Torture, Death and Disrobing — ’Snuff’ Comics in the Golden Age: 1945-1955” by Michael Vollmer. “THE EC STORY: Weird Science — The Way the Future Was” by JVH. “Don Rosa’s INFORMATION CENTER,” originally intended for RBCC #152.
“MAD Index 1-23” by Bill Hansen and Dan Ciminelli reprinted from RBCC #153. “One of the Greatest Films You’ve Never Seen: The Boy from Mercury” by JVH.
Ads for:
ALL-STORY pulp magazine facsimile
DINOSAURS ATTACK! bubblegum cards
MIDNIGHT GRAFFITI
PULP MASTERS
RBCC house ad
THE FANTASTIC WORLDS OF HP LOVECRAFT
THE FANTASTIC WORLDS OF ROBERT E. HOWARD
TOMB TALES
and YE OLDE FANZINE SHOPPE

EC fanzine. Jerry Weist remained as publisher, but with this issue, John Benson assumed editorship.

EC fanzine. Edited and published by John Benson.

EC fanzine. Edited by John Benson. Features an interview with Jack Kamen.

EC fanzine. Edited by John Benson. Features the last interview with Howard Nostrand.
What Is This Site?
A virtual archive of mini-comics, fanzines, small press comics, newave comix and related items. The physical archive, housed at PF headquarters, is being built with personal acquisitions as well as generous donations from supporters. This project is most definitely a work in progress.