Interview with C.L. Moore.
[Note: At least one image in this entry was found online (probably at an auction site) and saved for personal use. And then the Database project came along! If you recognize your image we'd like to have your permission and would love to give you credit for your work. Please contact us through Site Info > About in the main menu up top.]
Features ads for Trumpet, Star-Studded Comics, Graphic Story Magazine, and Erb-Dom.
Contents include bid endorsements from Fritz Leiber and others, talk about the local scene, photos and more. Edited by Tom Reamy (Trumpet) and Rosemary Hickey.
Also contains illustrated ads for Carl Gafford's Minotaur, Differo (with a Steve Ditko Mr. A drawing), Gary Acord's Wotta World, Riverside Quarterly, Star-Studded Comics (with a beautiful Bruce Berry drawing) and others.
Features ads for Trumpet, Star-Studded Comics, Graphic Story Magazine, Alter Ego #10, and Seraphim #4.
Features ads for Trumpet #10, Mount to the Stars #2, Eon #4, Star-Studded Comics #16, Guts #5, Steranko’s Talon, Black Oracle #2, Comic Book #4, All Dynamic #3, Fantastic Fanzine, and Wotta World #1.
Features ads for Amra, Pow #1, Anomaly, Trumpet, Gore Creatures #17, Paragon Illustrated #1, All Dynamic, Steranko’s History of Comics, Bill Schelly’s Incognito #8, and Star Studded Comics #17.
Features ads for Richard Corben posters, Worldbeater Frazetta posters, Star Studded Comics #17, Mount to the Stars, Funnyworld #12, Voice of Comicdom #16, Futura #9, The Collector #19, Seraphim, Xanadu #1, Realm, The Collector’s Chronicle #3, True Hero #2, Nucleus #3*4, Phoenix #’s 3 and #4, and All Dynamic #5*6.
Features ads for This is Legend #1, Trumpet #11 and #12, Cinefantastique, Torture Murder Pictorial #1, David Anthony Kraft’s Omnifan, Squa Tront #4, Anomaly, Comic Crusader #9, All Dynamic, Black Oracle #3, and Gore Creatures #18.
Letters page includes letters from Landon Chesney, Joe Krolik, and Jack Williamson.
Includes ads for Kenneth Smith Phantasmagoria posters, This is Legend, Fantagor #1, Funnyworld #13, Black Oracle #4, Doctor Weird #1, The Buyer’s Guide, Cinefantastique, MCR #4, Infinity #2, Promethean Enterprises, Reality, Captain George Presents, Amra, and Nucleus #5.
Includes ads for All in Color For a Dime, Cinefantastique, Infinity #3, Bedtime Stories, Doctor Weird #1, Phantasmagoria #1, Witzend #8, and Star Studded Comics #17.
Nickelodeon took the place of Trumpet after Tom Reamy became embroiled in a publishing deal with Nostalgia Inc. that didn’t turn out as he had hoped or been led to believe. Reamy shared editing and publishing duties with Ken Keller, who would go on to publish Trumpet #12 in 1981, in an effort to resurrect the title.
Features include an interview with Frederick Pohl.
Letters page includes letters from Doug Potter, Kenneth Smith, and Andrew Porter.
Letters page includes letters from Robert Bloch and Andrew Offutt.
Features include the first installment of George Barr’s adaptation of Poul Anderson’s The Broken Sword.
Letters page includes letters from Poul Anderson, George Barr, and Harry Warner Jr.
This issue includes a two-page ad for Witzend #1.
Letters page includes letters from Maggie Thompson, Jerry Pournelle, Harry Warner Jr., and Fritz Leiber.
Features include the second installment of George Barr’s adaptation of Poul Anderson’s The Broken Sword.
Letters page includes letters from Ted White, Harry Warner Jr., Andrew Offutt, and George Barr.
Trumpet #7 got a second printing in 1970, and was advertised in Dallascon Bulletin #5.
Features include the third installment of George Barr’s adaptation of Poul Anderson’s The Broken Sword, and a profile of George Barr. Also features a portfolio by Jeffrey Catherine Jones.
Letters page includes letters from Bhob Stewart and Harry Warner Jr.
Letters page includes letters from John Brunner and Harry Warner Jr.
Page 1 of 2
What Is This Site?
A virtual archive of mini-comics, fanzines, small press comics, newave comix and related items. The physical archive, housed at PF headquarters, is being built with personal acquisitions as well as generous donations from supporters. This project is most definitely a work in progress.