Steve Willis' biweekly newsletter full of comix news and commentary.

Also in this issue: cover art by one Bil Keane (note the three nostrils!), the beginning of the "Dissmeyer and Datmyers" conspiracy theory, Bruce Chrislip on Westercon, the Bil Keane Watch, a reprinted "Report from Yugoslavia" article by Saša Rakezić, CLG Reader Profile of Bruce Bolinger, the continuation of Gary Usher's Comics Journal Small Press Index, more.

Unbound, b&w interiors.

Steve Willis' biweekly newsletter full of comix news and commentary.

Also in this issue: Clay Geerdes on CBG and underground comix, Jay Kennedy on bibliographic resources for underground comix, the Bil Keane Watch, the "Suspended Animation" column, info on the Mike Diana case, more.

Unbound, b&w interiors.

I'm 99% sure Bill Miller is Bill W. Miller of Mature Magic / Miller Publishing.

Steve Willis' biweekly newsletter full of comix news and commentary.

Also in this penultimate issue: logo art and "Letter from Yugoslavia" by Saša Rakezić, San Diego con report from Wayno, four CLG Reader Profiles (Randy Reynaldo, Steve Lafler, Jonathan Tegnell and Ricardo Nancy McJacksonstein), Bruce Sweeney's "Underground Station" column (with logo art by Spain), Gary Usher's "Obscuro Press: 1972", the Bil Keane Watch, more.

Unbound, b&w interiors.

Steve Willis' biweekly newsletter full of comix news and commentary. This is the final issue.

Also in this issue: cover art by Gary Usher, a bunch of CLG Reader Profiles (Randy Paske, Ben Adams, Randy Scott, Michael Neno, Troy Hickman, Clark Dissmeyer), the Bil Keane Watch, comix reviews by Lynn Hansen, previously unused CLG logos, and more.

Unbound, b&w interiors.

News and reviews of small press comics, zines and such, Andrew Ford's "Big Time Small Pressers", Marcelo Garcia's look at Brazilian small press, letters from Jerzy Drozd, Max. Traffic and Brad W. Foster.

Copies exist with and without the Larry Blake cover (due to publisher error). Copies without are 18 pages.

News and reviews of small press comics, zines and such, plus Andrew Ford's "Big Time Small Pressers", Bruce Sweeney's "Underground Station", and more.

Side-stapled, b&w interiors.

Contains Robin Bougie's "Cinema Sewer" column and scene reports from Eugene, Oregon and England.